There are some stunning buildings like the cleanly soaring IFC, the mirrored chocolate layer Exchange Square, the sky-piercing jagged diamond pattern China Bank, and the Meccano set Hong Kong Bank, all arrayed around the stately, colonnaded former Legislative Council building. Streets teem with brisk-stepping people accoutred in the latest fashions as ongoing reclamation work ensures the harbour promenade is ever receding, leaving ever more space for brisk-stepping people, trundling trams, and sweaty shoppers. Queen's Road Central and East demarcated the original northern shoreline in the s.
It is a thoroughly commercial cinema: Hong Kong film derives a number of elements from Hollywood, such as certain genre parameters, a "thrill-a-minute" Mcdonald in hong kong and fast pacing and editing.
But the borrowings are filtered through elements from traditional Chinese drama and artparticularly a penchant for stylisation and a disregard for Western standards of realism.
This, combined with a fast and loose approach to the filmmaking process, contributes to the energy and surreal imagination that foreign audiences note in Hong Kong cinema.
There were 56 Hong Kong films and foreign films released in In the vertically integrated Hollywood film industry of the s, s, and s, these responsibilities were all undertaken by the studios themselves.
The studios made the stars and, due to notoriously restrictive terms imposed by exclusive services contracts, the studios also owned the stars McDonald, In earlier days, beloved performers from the Chinese opera stage often brought their audiences with them to the screen. For the past three or four decades, television has been a major launching pad for movie stardom, through acting courses and widely watched drama, comedy and variety series offered by the two major stations.
Possibly even more important is the overlap with the Cantonese pop music industry. Many, if not most, movie stars have recording sidelines, and vice versa; this has been a key marketing strategy in Mcdonald in hong kong entertainment industry where American-style, multimedia advertising campaigns have until recently been little used Bordwell, In the current commercially troubled climate, the casting of young Cantopop idols such as Ekin Cheng and the Twins to attract the all-important youth audience is endemic.
In the small and tightly knit industry, actors as well as other personnel, such as directors are kept very busy. During previous boom periods, the number of movies made by a successful figure in a single year could routinely reach double digits.
Budgets[ edit ] Films are typically low-budget when compared with American films. Language and sound[ edit ] Films in the Cantonese language have been made in Hong Kong since the beginning. In the s, it also became a center of Mandarin language film making after the Communist takeover in mainland China and the entertainment industry shifted from Shanghai to Hong Kong.
From the s to mids, Mandarin film productions became dominant, especially those made by the Shaw Brothers studio in Hong Kong. For decades, films were typically shot silentwith dialogue and all other sound dubbed afterwards.
In the hectic and low-budget industry, this method was faster and more cost-efficient than recording live sound, particularly when using performers from different dialect regions; it also helped facilitate dubbing into other languages for the vital export market for example, Standard Mandarin for mainland China and Taiwan.
Many busy stars would not even record their own dialogue, but would be dubbed by a lesser-known performer.
Shooting without sound also contributed to an improvisatory filmmaking approach. Movies often went into production without finished scripts, with scenes and dialogue concocted on the set; especially low-budget productions on tight schedules might even have actors mouth silently or simply count numbers, with actual dialogue created only in the editing process.
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A trend towards sync sound filming grew in the late s and this method is now the norm, partly because of a widespread public association with higher quality cinema. Very little of this work is extant: Detailed accounts of this period therefore have inherent limitations and uncertainties.
Pioneers from the stage[ edit ] As in most of China, the development of early films was tightly bound to Chinese operafor centuries the dominant form of dramatic entertainment. Opera scenes were the source for what are generally credited as the first movies made in Hong Kong, two short comedies entitled Stealing a Roasted Duck and Right a Wrong with Earthenware Dish.
The director was stage actor and director Liang Shaobo. In another borrowing from opera, Lai played the role of wife himself. His brother played the role of husband, and his wife a supporting role as a maid, making her the first Chinese woman to act in a Chinese film, a milestone delayed by longstanding taboos regarding female performers Leyda, Zhuangzhi was the only film made by Chinese American Film, founded by Lai and Brodsky as the first movie studio in Hong Kong, and was never actually shown in the territory Stokes and Hoover, Inthey moved their operation to the Mainland after government red tape blocked their plans to build a studio.
Hong Kong was a major center for Cantoneseone of the most widely spoken, and political factors on the Mainland provided other opportunities. This film proved to be very successful, and inthey established a branch of the Tianyi Studio in Kowloon to make Cantonese films.
It also banned the wildly popular wuxia genre of martial arts swordplay and fantasy, accusing it of promoting superstition and violent anarchy. Cantonese film and wuxia film remained popular despite government hostility, and the British colony of Hong Kong became a place where both of these trends could be freely served.Hong Kong is now home to the newest and neatest McDonald’s around.
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